What do you take with you when you migrate? A multimedia geographic map that traces a narrative and sensory journey through memories with a poetic vein of delicate beauty.

Turkish artist Begüm Erciyas investigates the transformations of our relationship with touch throughout history—from manual labor to digital, from the past to the future—in order to rethink and rediscover the sense of touch and contact.

A new collaboration featuring Pulitzer Prize and two Grammy Award-winning composer and musician extraordinaire Caroline Shaw, and dynamic multi-instrumentalist and songwriter Danni Lee Parpan. An intense and surprising concert in which the music explores the spaces between different genres, challenging their boundaries and languages.

RI TE stems from the encounter between two seemingly distant worlds, united by rhythm and the ability to combine tension with fiery expressiveness: a moment of pure joy and humor, using only body language, in the surprise of improvisation and mutual discovery.

On the occasion of the performance RI TE, Israel Galván leads a workshop aimed at professional dancers, beginners, or anyone simply curious about approaching dance.

In this work, the two artists question the distinction between dance and music, sound and body, exploring the creative possibilities that can arise from these two elements listening to each other.

Claudia Castellucci’s choreographic and philosophical research grapples with the dimension of the desert, where the extreme lack of materials and relationships pushes dance to consider only what one has: oneself, as the only—first and last—instrument.

A project that stems from the discovery of a word from ancient Greek and its etymology: Hasapikos, which literally means butchers’ dance.

Inspired by the common expression “to eat with the eyes,” Eat me began as a reflection on the representation of female bodies in the visual arts and on the consumption of images.

After twenty years Raffaella Giordano turned to young choreographer and author Stefania Tansini to re-interpret one of her most mysterious and elusive solos, Tu non mi perderai mai, inspired by the Hebrew text of the Song of Songs.

By hybridizing Western classical music and dance with traditional South African songs, the performance tells deeply personal stories that challenge racial prejudices and gender norms with joy, urgency, and great sensitivity.

On the occasion of the performance HATCHED ENSEMBLE, coreographer Mamela Nyamza leads a workshop aimed at exploring dynamic ways of communication, using simple physical movements to create sound through gesture.

Omar Rajeh, a leading figure on the contemporary dance scene in Lebanon and the Arab world, leads us into his autobiographical universe, making dance an act of aggregation and shared experience.

An intensive two-day workshop for performing arts professionals led by author and director Mario Banushi. In his works, on the border between theater and visual arts, pain and memory are intertwined with balkan traditions, through the intimacy of storytelling. 

FOG and Ariella Vidach, artistic director of the company AiEP, create a project specifically devised for public spaces, offering an opportunity to research the city’s landscape and its relationship with technology.

The eighth edition of FOG concludes with a concert by Pakistani singer, composer, and producer Arooj Aftab, winner in the Best Global Music Performance category with Mohabbat at the 2022 Grammy Awards.