In his works, Giulio Squillacciotti constructs complex stage sets, which he uses to convey narratives of the present, in which realism and fiction intertwine to elicit emotional responses and to explore the full potential of creative actions, with a close, almost anthropological eye on gestures and rituals. Squillacciotti clearly delineates his figures ― possibly drawing on his studies in medieval art ― opening up a whole world in which mystery and everyday life are seen to interact.
We asked Giulio Squillacciotti two questions to understand how he tackled the project commissioned by Triennale Milano and the UN SDG Action Campaign.
How did you formulate the key focus areas for the sustainable development goals of gender equality, climate action, inequalities and the creation of more sustainable systems, coupled with the themes of the 23rd International Exhibition?
Giulio: “I adopted the same processes that I use in my work and applied them to the key themes in the UN SDG campaign. For me, it’s important to see reality through a filter that uses fictional elements to add a layer of sophistication or, alternatively, to take real elements and needs and insert them into contexts that are paradoxical or unusual. That’s why I chose a particular case as a portfolio review – I wanted to create an indirect conversation between those involved, so they could discuss their views on climate change.”
What is the Unknown that you would never want revealed?
Giulio: "The unknown ― what is not known, not said, not expected ― triggers a desire for conjecture in me. Talking about ‘that which is not known’ primarily inspires me to imagine the unknown in narrative and visual terms and then ― though not necessarily ― to compare it with what has actually happened, usually in a decontextualised manner.”