A performance that combines references to literature and painting, musical mash-ups, and dreamlike landscapes. A radical and disturbing reflection on violence, art, theater, death: a descent into hell.

Engeki Quest gathers all the hidden facets and mysteries of our cities into an interactive book, guiding the reader with simple instructions to explore the urban centers we inhabit.

State-of-the-art immersive technology envelops super-human choreography in this contemporary ode to change

The loudspeakers, protagonists of the performance, abandon their nature as sound diffusion devices and become presences to relate to, organized in a choreography of iridescent sounds.

Biagio Caravano, musician, dancer and performer, among the founders of the celebrated group mk, offers a live audiovisual performance in which sound is superimposed on images.

The madalena reversa present the 1891 tragedy by Oscar Wilde Salomè, in a rewriting for body, light, and sound, to reflect on the relationship between the human and the invisible.

The company stages the life of the three main characters of Chekhov's work, and their desire to make their home a place that remains untouched by the passing of time.

Stefania Tansini comes back to Triennale with a contemporary dance performance that stages The Umbilicus of Limbo by the French dramaturg and actor Antonin Artaud.

This magnetic dance solo by the group Dewey Dell is inspired by popular myths and the beauty of rural life, in a performance where body and voice are in osmotic connection.

A concert, a battle, a ritual – these are the possible readings of the meeting of two performance landscapes: the world of François Chaignaud, and the world of Aymeric Hainaux.

If Othello had believed Desdemona and hadn’t listened to the lies about her betrayal, would the two lovers have escaped their tragic ending? HellO° stages the tragedy of a body subservient to the rules of language.

IRENE confronts the loss of a loved one to translate it into a choreographic language of ritual actions, in an extreme attempt to relate to the invisible, to what is no longer there.

On a tennis court, dancers wearing shorts and holding rackets adapt for today’s audience Jeux, a ballet choreographed by Nijinsky at the beginning of the twentieth century.

The suppression of traumatic experience and its subsequent resurfacing in a strongly emotional production which combines theatre, dance and music.

In The game the multi-award winning Swiss duo Trickster-p, forever open to innovative research and experimentation, simulates the rules of our society and its relationship with money.

The visionary group from Spain El Conde de Torrefiel presents an audio guide through the stories and the characters of a cemetery in Milan.

Swaying clumsily and contracting her face in a crescendo of grotesque expressions, the artist electrifies the stage with a performance in which the body becomes the battlefield for different creatures at war with each other.

Young dancers, supervised by the artist, perform improvised scores and site-specific interventions in the context of Parco Sempione.

The exceptional lives of the three underground artists Patrick Angus, Larry Stanton and Darrell Ellis are told in this work, which is at the same time a performance, an exhibition and an open conversation with the audience.

The artist presents a darkly powerful tale of sexual discovery and intimate interweavings taking place in New York’s peripheral boroughs.

The audience is taken on a monumental and minimalist journey, where the music gradually becomes part of the environment and time is suspended in hypnotic variations.