Engeki Quest gathers all the hidden facets and mysteries of our cities into an interactive book, guiding the reader with simple instructions to explore the urban centers we inhabit.

A performance that combines references to literature and painting, musical mash-ups, and dreamlike landscapes. A radical and disturbing reflection on violence, art, theater, death: a descent into hell.

For Explorer, Insider and Supporter membership holders and for Triennale patrons: dancers in fully crocheted costumes alternate winding vaults with agitated movement, producing a composition that captures the spectators’ attentive focus.

An evening of music featuring young artists from the independent music scene.

State-of-the-art immersive technology envelops super-human choreography in this contemporary ode to change

The loudspeakers, protagonists of the performance, abandon their nature as sound diffusion devices and become presences to relate to, organized in a choreography of iridescent sounds.

Biagio Caravano, musician, dancer and performer, among the founders of the celebrated group mk, offers a live audiovisual performance in which sound is superimposed on images.

The madalena reversa present the 1891 tragedy by Oscar Wilde Salomè, in a rewriting for body, light, and sound, to reflect on the relationship between the human and the invisible.

Guided by an audio track, the spectators are invited to take part, one by one, in a performance of auto-theater in which they need to execute simple actions.

The company stages the life of the three main characters of Chekhov's work, and their desire to make their home a place that remains untouched by the passing of time.

This year’s FOG program features the film version of NOWHERE – Director’s Cut, created, filmed and curated by Dimitris Papaioannou

Stefania Tansini brings a contemporary dance performance that stages The Umbilicus of Limbo by the French dramaturg and actor Antonin Artaud.

This magnetic dance solo by the group Dewey Dell is inspired by popular myths and the beauty of rural life, in a performance where body and voice are in osmotic connection.

A concert, a battle, a ritual – these are the possible readings of the meeting of two performance landscapes: the world of Aymeric Hainaux and the world of François Chaignaud.

If Othello had believed Desdemona and hadn’t listened to the lies about her betrayal, would the two lovers have escaped their tragic ending? HellO° stages the tragedy of a body subservient to the rules of language.

IRENE confronts the loss of a loved one to translate it into a choreographic language of ritual actions, in an extreme attempt to relate to the invisible, to what is no longer there.

On the occasion of the OCCAM OCÉAN – OCCAM XXVI e L'Île Re-Sonante concert, where Éliane Radigue's compositions are reinterpreted by Enrico Malatesta and François J. Bonnet, we present the screening of the documentary STANDING WAVES, linked to Radigue's production.

On a tennis court, dancers wearing shorts and holding rackets adapt for today’s audience Jeux, a ballet choreographed by Nijinsky at the beginning of the twentieth century.

The suppression of traumatic experience and its subsequent resurfacing in a strongly emotional production which combines theatre, dance and music.

In this immersive sound performance, two young talents of contemporary theatre explore the relationship between seeing and not seeing, staging testimonies by blind and visually impaired people.

Luca Scarlini, writer, theatre and music dramaturg, performance artist and curator, presents a lecture-performance to share knowledge of the work of Samuel Beckett.

The dancers' movements, broken gestures then recomposed into great tableaux vivants, transport us to a world populated by masks and marionettes, in front of a sky of infinite possibilities where everything seems achievable.

In The game the multi-award winning Swiss duo Trickster-p, forever open to innovative research and experimentation, simulates the rules of our society and its relationship with money.

An adaptation of Jean Racine’s tragedy with Isabelle Huppert, one of the most prominent names of contemporary theatre and cinema, and accompanied by Gibbons’ music and Iris Van Herpen’s costume designs.

The visionary group El Conde de Torrefiel presents an audio guide through the stories and the characters of the Cimitero Monumentale di Milano

Swaying clumsily and contracting her face in a crescendo of grotesque expressions, the artist electrifies the stage with a performance in which the body becomes the battlefield for different creatures at war with each other.

Young dancers, supervised by the artist, perform improvised scores and site-specific interventions in the context of Parco Sempione.

The eclectic Australian composer presents his glacial electric music that combines minimalist tendencies, deafening drones, post-industrial psychotic moods and desolate environments. 

The exceptional lives of the three underground artists Patrick Angus, Larry Stanton and Darrell Ellis are told in this work, which is at the same time a performance, an exhibition and an open conversation with the audience.

The artist presents a darkly powerful tale of sexual discovery and intimate interweavings taking place in New York’s peripheral boroughs.

The audience is taken on a monumental and minimalist journey, where the music gradually becomes part of the environment and time is suspended in hypnotic variations.

FOG 2024 presents some of the works created by the collective that turns its dance into a means of political expression.

Curated by Annamaria Ajmone and Silvia Costa, LA TANA invites those outside to enter, gather, and collectively inhabit the darkness

One of the most innovative collectives on the international scene performs a site-specific work for FOG 2024, where dance becomes a means of insurrection.

Radio Raheem stages for FOG some of the most innovative music voices of the Italian contemporary scene, claiming once again the title of “musical heart” of the festival, which promises to enliven the spaces of Triennale Milano.