Leckey does not follow a linear narrative. Instead, he moves between different times, blending dance scenes with moments of social interaction. The unifying element is dance, presented not only as a playful activity but as a collective ritual capable of transcending social and cultural barriers. Dance becomes the symbol of the ephemeral, an act that exists only in the present moment but leaves deep traces in emotional memory. The images of the dancers, caught in states of ecstasy and abandonment, evoke a secular spirituality, a sense of community that seems to defy the rules of the outside world. Nostalgia pervades the entire work, but it is not a simple or reassuring nostalgia. Leckey explores a complex feeling that combines melancholy and social criticism. In this context, nostalgia is not only a regret for a lost past, but also a lens through which to analyze the present. Indeed, it is the same sentiment that also permeates the entire exhibition dedicated to Elio Fiorucci, where that great chapter of Italian style, art, fashion, pop culture and entrepreneurship seems suspended in a time that we know was there and left its mark, but that it is difficult to find again in the present, either for those who were there, or also those who were not there and experienced it virtually.