GIFT A MEMBERSHIP
A year of exhibitions, theater shows and concerts to enjoy with your favorite people. Join today or gift a membership.
Triennale Milano
© Nino Laisné
Show

Romances inciertos, un autre Orlando

François Chaignaud & Nino Laisné
May 28 – 29, 2021
Running time 70' Italian audio description is available for the performance on Saturday 29 May
Romances inciertos, un autre Orlando is a tapestry of music, song and dance that weaves stories, characters, settings and sounds from La Doncella Guerrera, Garcia Lorca’s San Miguel and Tarara which revolve around the adventures of androgynous heroines. On the backdrop of Spanish popular and literary traditions, we unexpectedly come across Virginia Woolf’s Orlando and his mysterious metamorphoses. A cross-over between a musical concert, a vocal performance and an opera ballet in three acts, the piece stages the endless transformations of the characters and of the musical motifs. Performed by François Chaignaud and four early music soloists, Romances inciertos, un autre Orlando, co-directed by Nino Laisné, traces and rewrites historical paths, taking the audience on an exhilarating journey of infinite mutations.
After graduating in 2003 from the Conservatoire National Supérieur de Musique et de Danse de Paris, François Chaignaud has collaborated with several choreographers and created performances in which dance and singing meet at the intersection of many inspirations. Also a historian, he has published L’Affaire Berger-Levrault: le féminisme à l’épreuve (1898-1905). His curiosity for history has driven him to initiate various collaborations, notably with artist Marie-Caroline Hominal (Duchesses, 2009), and Théo Mercier (Radio Vinci Park, 2016). Resulting from a dialogue between Chaignaud and Cecilia Bengolea, a series of works achieved international recognition: among them, Pâquerette (2008), Sylphides (2009), and DubLove (2013-2016). In 2017, Chaignaud created Romances inciertos, un autre Orlando, in collaboration with Nino Laisné. In 2018, he produced Souflette, a piece for 14 dancers from the Ballet Carte Blanche (Norway). In 2019, he produced Symphonia Harmoniæ Cælestium Revelationum, in collaboration with Marie-Pierre Brébant, inspired by the complete musical works of Hildegarde de Bingen. In 2020, Chaignaud created GOLD SHOWER in collaboration with butoh icon Akaji Maro, and choreographed Un Boléro, inspired by the work of Bronislava Nijinska, with Dominique Brun and Les Siècles orchestra. 
Nino Laisné’s artistic research is a rich and deliciously original mix, which defies classification. For the past few years, he has been creating a unique universe in which the image plays an important role. Through his engagement with music and film, he creates dialogues with sound rather than with words. Tinted with strangeness, his works – En présence: piedad silenciosa (2013), Folk songs (2014) or El Afelio (2017) – intersect different media and engage with historical and sociological elements: art, popular traditions, fashion, cabaret and opera. His works Os convidados (2010) and Esas lágrimas son pocas (2015) sit across genres, from everyday reality to fiction and vice versa. His projects have been presented internationally: in Portugal, Germany, Switzerland, Egypt, China and Argentina. His recent video projects have been shown in high-profile venues or festivals such as FID Marseille, FIAC Paris, Papay Gyro Nights Hong Kong Festival, Festival Internacional de Cinema de Toluca and Festival Periferias in Huesca. Nino Laisné is currently a member of the Académie de France in Madrid, in the Casa de Velázquez.
...more
Info
With the support of Fondazione Nuovi Mecenati
Credits
Photo: © Nino Laisné Concept, stage direction and musical direction: Nino Laisné  Concept and choreography: François Chaignaud  Voice and dance: François Chaignaud Bandoneon: Jean-Baptiste Henry Viola da gamba: François Joubert-Caillet, Robin Pharo, Thomas Baeté  Theorbo and baroque guitar: Daniel Zapico, Pablo Zapico Historical and traditional percussion: Pere Olivé Lighting technician and stage manager: Anthony Merlaud Sound technician on tour: Charles-Alexandre Englebert Dresser on tour: Cara Ben Assayag  Costume design: Carmen Anaya, Kevin Auger, Séverine Besson, María Ángel Buesa Pueyo, Caroline Dumoutiers, Pedro García, Carmen Granell, Manuel Guzmán, Isabel López, María Martinez, Tania Morillo Fernández, Helena Petit, Elena Santiago Set, head painter: Marie Maresca  Painter: Fanny Gaudreau Image editing: Remy Moulin, Marie B. Schneider carpenters: Christophe Charamond, Emanuel Coelho  Administration - production: Garance Roggero, Jeanne Lefèvre, Léa Le Pichon  Tour planning: Mandorle productions, A propic 

Calendar

Friday, May 28 2021, 7.30pm
Saturday, May 29 2021, 4.00pm

Archives and collection

Ingresso principale sul fronte ovest del Palazzo dell'Arte
Ingresso principale sul fronte ovest del Palazzo dell'Arte
Tre modelle percorrono il Ponte che collega il Palazzo dell'Arte con l'area verde antistante, progetto degli architetti Aldo Rossi e Luca Meda
Tre modelle percorrono il Ponte che collega il Palazzo dell'Arte con l'area verde antistante, progetto degli architetti Aldo Rossi e Luca Meda
Veduta notturna dell’abitazione a cupola geodetica di Füller, progetto dell’allestimento dell’architetto Roberto Mango, realizzata nel parco Sempione per la decima Triennale
Veduta notturna dell’abitazione a cupola geodetica di Füller, progetto dell’allestimento dell’architetto Roberto Mango, realizzata nel parco Sempione per la decima Triennale
Una modella posa all'interno della Mostra di oggetti per la casa (o Mostra Oggetti d'uso), nel Padiglione USA progettato dagli architetti Lodovico Barbiano di Belgiojoso, Enrico Peressutti e Ernesto Nathan Rogers
Una modella posa all'interno della Mostra di oggetti per la casa (o Mostra Oggetti d'uso), nel Padiglione USA progettato dagli architetti Lodovico Barbiano di Belgiojoso, Enrico Peressutti e Ernesto Nathan Rogers