In Piscina Mirabilis the stage becomes an unexpectedly everyday place on which bodies and figures are projected in search of a possible alliance, a free co-habitation.

The duets of Teshigawara and Sato, like choreographic poetry, reveal the power and magic of bodies in movement, on the notes of Mahler, Beethoven, Bach, Mozart, Rachmaninov and Ravel.

A highly personal piece of choreography in which the American dancer reveals himself bit by bit, reflecting on the political dimension of dance and on putting one's identity on stage.