© Carole Parodi
Show
Jiddu
*Melk Prod. / Marco Berrettini
March 24 – 25, 2026
ITALIAN PREMIERE
Running time: 70'
Tickets on sale from mid-December 2025
Full price: €24
Under 30 / over 65 / groups: €17
Students: €12
Membership: included in the subscription
The works of Italian-German choreographer Marco Berrettini, performed at leading international festivals and theaters, have managed to reformulate the canons of dance. His latest creation tells of a company of Bavarian folk dancers who, down on their luck, decide to diversify through “globalization”. Bit by bit, they borrow dance steps from other countries and cultures. But not all the dancers are happy with the new direction. The tension from a dizzying contamination of increasingly contradictory Chechen, Indonesian, Italian, Greekand Anglo–Saxon dance numbers eventually shuts the dancing down. Starting from the universal figure of the circle, whose role in everything from play to dance to ritual appears capable of cancelling differences in economic standing and identity, Jiddu takes an in-depth look at the meaning of collectivity and community.
Dancer and choreographer, Marco Berrettini was born in 1963 in Aschaffenburg, Germany. His interest in dance began in a nightclub: in 1978 he won the German disco dance championship, and this experience led him to take classes in jazz, modern, and classical dance. At 17, he began his professional training as a dancer, first at the London School of Contemporary Dance, and then graduating from the Folkwangschule in Essen under the direction of Hans Züllig and Pina Bausch, where he developed his interest in Tanztheater and choreography. In 1988 he moved to France to work with choreographer Georges Appaix, while simultaneously beginning to create his own works. In 1999, Kampnagel in Hamburg produced his show MULTI(S)ME. Since then, Marco Berrettini has produced around thirty performances with his company Melk Prod. His Sturmwetter prépare l’An d’Emil won the ZKB prize at the Theaterspektakel in Zurich. From 2004 onward, he created, among others, No Paraderan, Melk Prod. va a New Orleans (2007), the four works of the iFeel cycle (2009–2017), My Soul is My Visa (2018), and My Epifunny (2022). Marco Berrettini’s work spans from performances in museum spaces to collaborations with film directors, as well as installations in partnership with visual artists.
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Info
Performance in Bavarian and Italian with English booklet
Credits
Choreography: Marco Berrettini in collaboration with the performers
Performers: Sébastien Chatellier, Kevin Fay, Tristan Ihne, Manuella Renard, Emma Terno
Video projections produced by: Annapurna Laporte
Costumes: Séverine Besson
Lighting: Fadri Pinosch
Music: William S. Fisher, Johann Sebastian Bach, Steve Reich, Flash and the Pan, Bernard Herrmann, Pink Floyd, Brad Mehldau, Moondog, Alice Coltrane, Daft Punk, Nick Drake
Production manager: Régine Auer
Distribution: Alessandra Simeoni
Thanks to: Andrzej Mikołaj Szadejko, Goldberg Baroque Ensemble, and Philipp Ritter for Bavarian translations
Co-production: CCN La Rochelle Milleplateaux (F), Théâtre de l’Orangerie (CH)
With the support of: Loterie Romande, Fondation Ernst Göhner
Highlights
Ingresso principale sul fronte ovest del Palazzo dell'Arte
Veduta notturna dell’abitazione a cupola geodetica di Füller, progetto dell’allestimento dell’architetto Roberto Mango, realizzata nel parco Sempione per la decima Triennale
Interno del Tunnel Pneu, progetto di Jonathan De Pas, Donato D’urbino e Paolo Lomazzi
Una modella posa all'interno della Mostra di oggetti per la casa (o Mostra Oggetti d'uso), nel Padiglione USA progettato dagli architetti Lodovico Barbiano di Belgiojoso, Enrico Peressutti e Ernesto Nathan Rogers