Together with Studio Sottsass, we are presenting a new chapter in the research dedicated to the great architect and designer. The exhibition focuses on Ettore Sottsass’s private life, bringing together approximately 1,200 black-and-white and colour photographs, taken between 1976 and 2007, that is, from the year he met Barbara Radice to the year he died. The photos provide a wide-ranging view of their private and public life, at home and around the world, for work and for pleasure, with few distinctions. In fact, little distinction was made between the public and the private in the couple’s life together. The title of the exhibition refers to Sottsass’s idea that life, rather like in Commedia dell’Arte, resembles a largely improvised “staging” of a sketchily outlined plot.
Highlights
Credits
A cura di: Barbara Radice, Micaela Sessa e Studio Sottsass
Art director: Christoph Radl
Related events
3
December
(Friday)
Installazione
Casa Lana
Triennale Milano has rebuilt in this room the faithful reconstruction of part of the private residence designed in Milan in the mid-60s by Ettore Sottsass for the lithographer and printer Giovanni Lana. The layout of the Sala Sottsass and its faithful reconstruction are the outcome of a meticulous study by the Triennale Milano archive and restoration centre, which saw the participation of Luca Cipelletti, among others, who oversaw the reconstruction in the central space on the first floor of Triennale, and Chrisoph Radl, who followed the art direction of the project. The project is in collaboration with Studio Sottsass and the support of Barbara Radice Sottsass.
Permanent
